Mark Kasumovic is a Hamilton, Ontario born artist currently sharing his time between Canada and the UK. His work revolves around the inherent truth-value of the photograph and the many limitations within the medium. His most recent work investigates the relationships between technology and knowledge production within the context of scientific research. This includes working with climate scientists to imagine creative ways of disseminating climate knowledge, but also the development of a large interdisciplinary programme of research. Other projects include: Picture/Perfect, which uses the tourist as a backdrop to explore the explosion of digital images as data in the information age, An American Landscape, which explores the multiplicity of meaning possible through the process of picture making with a camera, and Ideal Landscapes, which challenges the value of traditional landscape photography by turning the natural landscape into an artificially lit stage. 

In 2008, Mark was selected as the Ontario winner of the BMO Art First National Competition along with being credited best in show of his graduating class exhibition at Ryerson University, and receiving the Snap! Stars art award sponsored by TD Canada Trust. The following two years, Mark was featured in Magenta Foundation's annual publication, Flash Forward: Emerging Photographers. Since then, Mark has received grants and honours from the Ontario Arts Council, Canada Council for the Arts, Culture Nova Scotia, and the Social Sciences and Humanities Research Council of Canada. As an interdisciplinary artist and researcher, Mark was awarded Junior Visiting Research Fellowship a the University of New South Wales School of Biological, Earth and Environmental Sciences (Faculty of Science). His recent exhibitions and projects include working with the GardenShip and State Collective (Curated by Patrick Mahon and Jeff Thomas) to explore notions of climate and colonialism; photographing the Ontario Greenbelt for Canada's largest outdoor exhibition space at the Harbourfront Centre in Toronto; and publishing new ideas regarding the role of documentary photography in a contemporary context.